Skip to main content

Andrew Norris and Queer Identity

Orville Peck as The Blue Boy, Andrew Norris, 2021

     Andrew Norris' talk was really great, now I really want to go see his show. I love how his art is dealing directly with celebrity culture as well as art history. It is really subversive how he places these queer people into paintings that originally re-inscribed traditional heteronormative viewing/identity. I connected a lot to these paintings because of the celebrities he was using, especially Orville Peck, who is about the only country musician I ever listen too. The style of portraiture Norris is doing is also interesting because of how indebted it is to the old masters. I love the juxtaposition of this very historical, serious style of painting with the uncharacteristic figures he puts in them. These paintings feel like something that traditional academics would hate (I know he mentioned his teachers in school not liking him painting celebrities or comic book characters), which I really like. 

    It was also really interesting to hear him talk about how, as much as he likes these paintings, they have the problem of focusing only on a form of queerness that has been deemed acceptable by the mainstream. His honesty about this was really refreshing, and made the work enjoyable. I feel like oftentimes artists don't admit that parts of their work may have issues, but here Norris is acknowledging it while still showing how important they are to him (and to a lot of us in the audience it seemed like). I really connected to him talking about how a lot of us queer people tend to grab onto celebrities and really incorporate them into our identities and cherish them, and it is really liberating to see someone showing this in these paintings that are rooted in history. 

Comments

  1. Yes! I also like the way he used the color to emphasize the image. I understood a lot about his arts through your blog!

    ReplyDelete
  2. I totally agree on the point about acknowledging issues. It's easy to find a lot of flaws in the artistry of your own work, but it seemed like he had some valid criticism. I never really thought about queer people grabbing onto celebrities but I guess we kinda do. (i think i kinda do that with fictional characters tho lol)

    ReplyDelete

Post a Comment

Popular posts from this blog

My Flickr Findings

  My Flickr Blume No. 2 "Something is happening here and you don't know what it is, do you, Mister Jones?" (Bob Dylan, 1965)          I just took this quote on a very literal level instead of its total meaning. I like the idea of something that is happening that is under everyones radar, so that's what I tried to do with the abstraction in the photos. I like making people see things in a way that they can't with their naked eye.      I took all these photos on a walk in the evening this past weekend. I focused mostly on making more abstract pictures because that is what I generally like to do in my art. To support that I manipulated them quite a bit in photoshop. I had a lot of fun in messing in the 'Curves' menu, I found that was a really good way to mess with them (especially in black and white). Overall I think that most of my photos are  successful, about 16 of them I'm happy with. There were some I included to just reach the 20 photos. I am intere

Representative Activism

Justice MMIWG, Valaria Tatera, 2019-2021     I found Valaria Tatera's talk incredibly moving and informative. I had absolutely no idea Enbridge pipeline 5 existed or that Wisconsin even had residential schools. I think growing up in Wisconsin gave me the impression that most of the injustices meted out against native peoples were in other places, it was worrying to find out the same happened here. Although sadly it's not that surprising.      My complete ignorance on the topic shows just how deficient the school system is in the US, where the majority population can just choose to leave out the more unpleasant parts of history that make them look bad. This is why Tatera's art is so necessary, not only is it a healing process for herself, which would be important enough by itself, it makes people focus on what  they'd rather ignore.   "Whence did the wond'rous mystic art arise, of painting SPEECH and speaking to the eyes? That we by tracing magic lines are taugh

Picnic Projections

      I really loved making our installation piece. The freedom we had to do whatever was so liberating. I was so impressed with how we had a bunch of different themes emerge from all the random stuff we brought, and how the piece felt pretty cohesive overall. The piece to me has a feeling of a picnic gone wrong. The front half especially is full of such vibrant colors and flowers, feeling inviting at first glance. Then as you look at it longer and read the writing on the walls, it feels a little more ominous. The back on the other hand takes this aggression further, with the book on the wall yelling at you along with all the 'Not for Sale" signs. It felt very current to make something that also seemed to be commenting on the environment. All the greens in the room and the flowers coming out of the trash definitely added to that, along with the fact that the possible consumerism of our 'store' was aborted by the 'Not For Sale' signs. I think it would be interes